- portable, reproducible environments: I suppose you could achieve this with a docker setup. If I jump to a different workstation, I want to be able to load my current project without playing setup wrangler.
- license management like a dotfile database: all my licenses are fettered to the wind across two or three email addresses, and every time my PC crashes (twice in the past 5y) or something breaks I have to go recollect them. It’s a quest. Quests suck.
- remote or cloud processing: connect to your workstation if you’re on the road, or a cloud cluster running DAWs. Sure, this introduces some lag which can force you into drag to piano roll contexts, but other times you’re just messing with mixes. But gaming giants like Sony figured it out for PS4/5 titles.
- shareable projects with some innovative business solution to the license barrier. I want to be able to access somebody else’s project and load it in its entirety—whether I have Neural DSP’s latest Archetype or not. Whether I have Serum2 or not. Apple managed to get bands onto iTunes. We seriously can’t get Waves or Neural DSP to go the same route? Some royalty-based approach?
I know these are outlandish requirements in some scenarios but I feel like this would fix the misery of music making in the era of Windows and macOS being goblinware operating systems.
Turning a knob with a mouse is the worst interface I can think of. I don't know why audio apps/DAWs fall so hard on skeuomorphism here when the interface just doesn't make sense in the context.
it's rather customisable, reasonably priced and just works great as a daw for electronic music.
https://renoise.com/download it even comes with a demo and it's own vst for other daw'.
Really. It amazes me that I still find out about new Linux plugins after years of producing music on the platform. It could not have been easy to compile this; the information is all over the place online.
The ability to filter (!) for compression, saturation, etc. is so great.
I came back pleasantly surprised with the current state of things. Minus the underlying linux sound system, which is still a mess of things that barely work together. (I have a lot of expensive/pro plugins and all the DAWs on the Mac, so this was mostly a filtering exercise - what I can use on Linux that can still mix/master a whole project).
- I'm not a FOSS purist in audio, so that wasn't a requirement. But I am 'linux purist' so no VST wrappers of windows DLLs etc.
- Watershed moment for me: Toneboosters and Kazrog coming to Linux. Along with u-he, these make for a very, very high quality offering. You can easily mix a commercial release just with these. Kazrog isn't even 'Linux beta' like the rest, proper full release on Linux. I was briefly involved in beta testing for Linux, Shane & co are incredible people.
- I have most/all DAWs for the Mac. Reaper and Bitwig on Linux are enough for me and feel like good citizens in Linux. (ProTools is never coming, neither is Logic. But addition of Studio One makes for a really good trio).
- Any USB class-compliant audio interface will work (modulo control applications which generally aren't available on Linux, so ymmv).
- iLok is missing, which removes a whole host of possible options (I have 500+ licences on my iLok dongle, none of that stuff is accessible). I can't say I miss iLok, but I do miss Softube (not that it's available on Linux, iLok or not).
I made a few 100+ tracks mixes on my thinkpad with Reaper and the above combo of plugins, it worked just fine.
But Linux is still Linux, and 30 years later still annoys me with typical 'linux problems', which generally boil down to 'lack of care'. UI is still laggy, compositors be damned. While Reaper is butter-smooth on a Mac, audio thread never interferes with UI (and vice versa), it can get quite choppy on Linux. If you allow your laptop to go to sleep with a DAW open, chances are good that upon resuming you'll have to restart it as it will lose sound. And a lot of smaller annoyances that are just lack of polish and/or persistent bugs, that I'm sadly used to on Linux (want to switch users on Linux Mint? The lock screen can get hella confused and require a lot of tinkering to get the desktop back). But overall, it's a million miles away from a hobbyist endeavour that Linux audio used to be until recently. I could get actual work done with Linux this time around.
Yet somehow the two industries have pretty much entirely different tech stacks and don't seem to talk to one another.