Sure, fantasy has "corrupted" the Hugos, but there's plenty of hard science fiction, and science fiction that grapples with societal questions at large. Arkady Martine's Memory Called Empire and Desolation Called Peace, both Hugo winners, are incredibly thoughtful depictions of societies on the verge of disruption from new technology. Ryka Aoki's Light From Uncommon Stars, a 2022 Hugo nominee, while somewhat of a sci-fi-fantasy genre crossover, is both harrowing and exhilarating in its discussion of gender through a speculative lens (content warnings apply).

If you're looking for whether innovative science fiction is being adapted into popular media - the Three Body Problem (2015 Hugo winner) and the Murderbot series (won the Hugo most recently in 2021) are both being adapted. Andy Weir's post-Martian works continue to be hyped, if not quite adapted yet. The fanbase for Tamsyn Muir's Ninth series is rabid in the best possible way - and while ostensibly centered on necromancy, it's remarkably high in sci-fi hardness.

And outside of traditional publishing - democratized writing challenges like https://www.reddit.com/r/HFY/, genre-crossing serial sci-fi like the works of Wildbow, and fanfiction in general (I continue to follow and adore the To The Stars, a Madoka fanfic which juxtaposes magic with a spacefaring future humanity, with masterful worldbuilding) continue to thrive.

Traditional publishing houses may indeed be in crisis, but contrary to the original article's assertion, there is no shortage of ideas.

So when I finished the books and explored his fantasy series (City of Lost Chances?), I had to check three times that I in fact had the same author. It's full of regurgitated fantasy tropes, the writing and characters seem simple, and there's a forced world building with what feels like an infinite and boring back story, with no movement to justify it.

Maybe the author was trying to capitalize on the fantasy popularity? His sci-fi is otherwise genius.

I'd enjoy a swashbuckling noblebright adventures-in-space thing way more than yet another treatise on Technology Bad right about now.

That said, I don't know that I think sci-fi as a genre is dying per se. There are a lot of really prominent and popular science fiction pieces coming out today. Shows/books like Black Mirror and The Expanse, for example.

> [Post-sci-fi is] free to allow the science fictional elements of their stories develop slowly, to emerge only in the latter half of the text, or to remain an isolated thread in a larger tapestry, all of which are anathema to genre-machine publishing, which generally wants its spaceships front-and-centre early on, to reassure readers they’re getting what they paid for.

This has always bugged me. There's often an interesting synopsis like (below), but the actual story begins with ~200 pages of backstories. And altogether the actual problem / developments / solution could probably be detailed in a tenth of the page count after subtracting all the character drama.

> "When a signal is discovered that seems to come from far beyond our solar system [...] What follows is an eye-opening journey out to the stars to the most awesome encounter in human history"

But this synopsis is actually from a well known 80s novel [0] so I don't think this slow-burn type of writing has become any more or less common with post scifi. To be clear, I don't have a problem with character-focused stories (I've read a ton!), I just wish they were advertised that way.

At this point I'm finding new / unusual stuff to read by looking for the least liked books whenever recommendations come up. Anyways rant over. On a more positive note, the author's post has put of new names / titles on my reading list. I think my next read will probably be something by Ishiguro:

> [The Buried Giant] follows an elderly Briton couple, Axl and Beatrice, living in a fictional post-Arthurian England in which no-one is able to retain long-term memories. The couple have dim memories of having had a son, and they decide to travel to a neighbouring village to seek him out.

[0] https://en.wikipedia.org/wiki/Contact_(novel)

We live in a dystopia, we need some utopian ideas, enough of the gloom and doom that ends up being a self-fulfilling prophecy..

Most people don't realise just how damaging all of this is...

Dumbest article I've read in a while.

AI and independent publishing certainly make it harder to sort the wheat from the chaff, but the ubiquity and convenience of aquiririg reading materials has never been better in all of human history.

I will never get caught up with all the scifi books I want to read, and nothing could make me happier.

Scifi, like most literature, was supposed to give us dreams about what we could do with what we found, or even dream about what is there to be found (IMO), so its demise leads us to a point where we're no longer dreaming?

I feel like we're lucky to get one outstanding sci-fi book or series per decade.

I'll rattle off some notable books and films/TV (or in some cases both) from the last 20 years. Some of these overlap with other genres like horror, lit-fic, etc., but I consider them all sci-fi to some degree. Some are well known and some are obscure.

The Expanse, Europa Report, Moon, Primer, The Arrival, Never Let Me Go, For All Mankind (the unofficial Expanse prequel), Sleep Dealer (indie film that stuck with me), The Color Out of Space (2019 film of Lovecraft's story), Banshee Chapter, The Peripheral, Blindsight, Annihilation, I'm sure I could keep going...